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Official Press Release:
Rat Hole Gallery is pleased to present an exhibition of new work by Nobuyoshi Araki on view from September 26 until October 27, 2015. The exhibition, which marks Arakis tenth solo show at Rat Hole Gallery, will present roughly 70 photographs from two new series: Negaeropolis and Uganbochi.
Negaeropolis is a series of color photographs featuring subjects consistently found in Arakis work: nudes, flowers, dolls, and the streets of Tokyo, among other scenes from the artists everyday life. In this new body of work, Araki has made photographs of images exactly as they appear on the film negatives. The inverted images, with their complementary hues and orange mask characteristic of negative film, appear simultaneously vibrant and yet somber, expressing how the two sides of film- positive and negative- are inextricably linked together, serving as a metaphor for yin and yang and Arakis own personal view of life and death.
Composed of the Japanese characters for Right Eye (Ugan) and Cemetery (Bochi), the series Uganbochi features scenes of Tokyo, primarily of a cemetery in the city, photographed in black and white with a partially cracked lens shattered intentionally by the artist. The resulting images, blurry in the center but relatively in focus on the periphery, are analogous to the vision from Arakis right eye, which has disappeared almost completely due to an obstructed retinal artery since the end of 2013. The works also appear to express a view from the this world (Sagan) to the other world (Higan) based on the Buddhist idea of enlightenment that is also a theme often found in the artists work. All of the photographs in the Uganbochi series are imprinted with the date of August 15, referring to the day marking the end of World War II seventy years ago, and revealing Arakis emotions towards post-war Japan and how urban cities such as Tokyo are becoming increasingly symbolic of a graveyard.
As the title of the exhibition- a combination of the words (film) negative eros metropolis- suggests, Arakis latest work both playfully and austerely addresses his personal relationship to his beloved native city, the metropolis of Tokyo.
Please note that there is visible damage and discoloration due to age.
